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Views From The Captain’s Chair! Episode Twenty-Three: Stephen Kozeniewski!

Captains ChairBlog


Ahoy Mateys!

This week we have another guest sitting in the Captain’s Chair! I’d like you all to welcome Stephen Kozeniewski. WELCOME HIM!

Don’t know Stephen? LEARN!

Kozeniewski photo

Stephen Kozeniewski lives with his wife and two cats in Pennsylvania, the birthplace of the modern zombie. He was born to the soothing strains of “Boogie With Stu” even though The Who are far superior to Zep, for reasons that he doesn’t even really want to get into right now.

During his time as a Field Artillery officer, he served for three years in Oklahoma and one in Iraq, where due to what he assumes was a clerical error, he was awarded the Bronze Star. The depiction of addiction in his fiction is strongly informed by the three years he spent working at a substance abuse clinic, an experience which also ensures that he employs strict moderation when enjoying the occasional highball of Old Crow.

He is also a classically trained linguist, which sounds much more impressive than saying his bachelor’s degree is in German.


How about we just move along. Enjoy!


Before I ever met or exchanged two words with Jake Bible he became one of the most important people in my professional life. Jake was (actually still is) one of my “Also Boughts.” If this is an odd term for you, don’t panic: it just means that you’re not a) going crazy or b) an author.

This is an easier concept to explain visually than with words, so let me just show you this graphic:

Also Boughts
This is a screen capture from the Amazon page for my sophomore novel THE GHOUL ARCHIPELAGO. Basically, it’s as simple as it sounds. People who bought TGA from Amazon also bought the books listed here from Amazon at some point in their lives. You can scroll through twenty screens of Also Boughts (a hundred books) but this one is the one that pops up automatically every time you click on my book’s Amazon page. It represents the five books that customers most commonly also buy along with mine.

As you can see, one of them is my debut novel, BRAINEATER JONES, which makes sense. My friends, family, and whatever constitutes my burgeoning fanbase have bought both of my books. (Thanks, everybody, by the way.) Another book is by an author I’m not familiar with, Stephen Knight, but I’m going to go out on a limb and guess that since we’re both Stephen Ks and we write horror, there’s been some overlap there.

All three of my other Also Boughts are from Jake’s Z-BURBIA series. Why is that? Well, for one thing we share a publisher, the great Severed Press out of Hobart, Australia, so there’s probably some common interest there. My novel came out around the same time as Z-BURBIA 2, so we probably shared some buyers due to time as well. But I’m guessing the main reason why Jake takes up the lion’s share of my Also Boughts is that we write similarly appealing novels.

So what does all this mean? Why does it matter to me as an author or you as a reader? Well, believe it or not, if you’ve ever been on Amazon before you’ve seen this ribbon, or, at least, a similar one. You also as likely as not have clicked on it before. You may not even remember doing so. And that’s the beauty of it.

Amazon is a business. For authors, in some ways (both disturbing and exciting) it’s THE business. Which makes their business model wholly fascinating and worthy of at least a cursory analysis. You can bet your sweet bippy that if people didn’t click on Also Boughts and buy some at least now and then Amazon wouldn’t waste the money on web designers and bandwidth to have that ribbon on every page they maintain. So why do they do this? Because (repeat it with me now) they’re a business. The Also Boughts lead to more sales.

Imagine yourself back in the near-mythical olden days of yore known as “The Nineties” when brick-and-mortar stores littered the landscape. I could walk into a bookstore and expect to see shelves of staff picks. Jimmy and Johnny and Joanie who all worked at Books ‘R Us would all set up their personal favorites for us to peruse. And if I knew that I shared taste with Jimmy, I could always pick up one of the books from his shelf and be happy.

And if I DIDN’T trust ANY of those folks, I could still walk up to whoever was working the counter that day and have a conversation like this:

“I’m looking for a book but I don’t know what I want.”

“Well, what do you like to read?”

“Zombie novels.”

“More like gory or more like funny?”


“Here, try this, it’s the newest one by Kozeniewski. He does gore well.”

So fast forward again to 2014. (Thank God that trip down memory lane was truncated. I don’t think I could handle another minute without my iPhone.) Amazon has displaced brick-and-mortar stores but the one thing it CAN’T offer you is a clerk who more or less can tell you what to buy, and increase the store’s overall sales. Hence the Also Boughts.

Right when you consider whether to purchase a book or not you are presented with a whole slew of similar books to buy. (Or videos or ping pong tables, or whatever.) And even AFTER you purchase it Amazon will continue to tell you things you may be interested in based on your purchasing history.

Did you ever notice that maybe you bought a My Little Pony once for your niece ten years ago and to this day Amazon recommends pony stuff to you? That’s because the things in your purchase history are considered even more relevant than just the things you’ve perused.

So, long story short, Jake and I drive traffic to one another’s books. (I’m sure it’s much more one-sided and more likely that I simply benefit from Jake’s popularity.) Every time you look at my book you see his and at least consider clicking on them. This is one of the reasons why it’s beneficial for authors to write more books, so they have more Also Boughts, and potentially more criss-crossing traffic, but that could be the subject of a whole other blogpost.

So in closing I want to say thanks to Jake for hosting me on his blog and for taking up not just one, not just two, but three of my all-important Also Bought slots. I hope I helped to pull back the curtain a little bit on how Amazon works in this one particular mechanic and why it’s so important to authors and other content producers. Thanks for reading and remember: ZOMBIES FOREVER!

The_Ghoul_Archipelago_ebook_coverBRAINEATER JONES cover








There you have it, folks! (Check is in the mail, Stephen).

Go get some of his books and then you’ll be able to see that others want my books too! GET THEM ALL! YES, I’M STILL YELLING!



Views From The Captain’s Chair! Episode Twenty-Two: David Dunwoody!

Captains ChairBlog

Ahoy, Mateys!

Over the next few weeks I’ll be taking a step back and letting some other writers get into the captain’s chair. Well, not literally because the captain’s chair is MINE ! MINE MINE MINE! But I am going to let them do some guest blogging. It’s always nice to have other opinions.

This week I give you the one, the only, the The Dunwoody- David Dunwoody!

Insert Bio and pic



1798699_10152518004852835_2640805279392116019_nDavid Dunwoody writes subversive horror fiction, including the EMPIRE zombie series and the collections DARK ENTITIES and UNBOUND & OTHER TALES. Most recent is his post-apocalyptic novel THE HARVEST CYCLE. His work has been published by such outfits as Permuted, Chaosium, Shroud, Gallery, Belfire and Dark Regions. More info and free fiction at

The Idea: From Inception to Perception
David Dunwoody

It usually starts with a “What if?” Often, at least in my experience, it’s “What if this happened instead of that?” Many such notions flit through a writer’s head every day, and a handful of them get snagged in your writerly web and start to become more than just notions.

Developing an idea into a premise – something to be built upon, a three-dimensional framework supporting characters and feelings and color – is a process which varies widely from person to person. It doesn’t always come naturally with each effort. When I was younger, many of the stories I wrote were what are sometimes called “idea stories.” That is to say, they present the “What if?” and then…that’s kinda it. I didn’t invest much in character development or in describing a rich environment – unless, of course, those things were essential to the “What if?”. For example (and I’m just making this up as I write) say the idea is “What if a human werewolf was exiled to Saturn? What would the multiple moons do to him?” The story that followed would pretty much explore the different possible answers and then it’d be done. The exile would have a thin backstory about how he ate his wife or something. Some cursory reading on Saturn would inform me that it’s considered a gas giant and I’d change the planet to Neptune, and then get lost in details like gravity and atmosphere. Would probably invent some flimsy futuristic technology to explain those problems away. (So now not only is the character suffering, I’m getting lazy because I want to focus on how wild and freaky the werewolf is going to be.) Then I’d need to explain why a werewolf would be shot to freakin’ Neptune instead of simply being shot with a silver bullet. Okay, he’s an unkillable super-werewolf who contracted lycanthropy while on a space mission, so they send him back out there.

Now, somewhere in this mess there was a character who I haven’t named yet. And I think he ate his wife so he’s sad.

The character’s experience and emotion is what anchors the story and draws the reader in. It makes the world real and can even make an outlandish starting point (like our Neptunian werewolf) seem real. At the very least, the reader will be willing to suspend disbelief.

Embarrassing as it is to say, there was a time when I thought the initial idea with all its bells and whistles would suffice. Eventually I began to notice that the fiction I enjoy doesn’t just have neat ideas, it has characters who feel authentic, even if I’ve never met such a person in my life. Especially then.

Our tragic space oddity – Major Tom will do for now, why not? – has an entire lifetime’s worth of memories and feelings, many of which have nothing to do with how he wound up on Neptune but are just as important. And he didn’t eat his wife. Maybe he had a wife – maybe they were divorced long before he took his first spaceflight, maybe she’s long out of the picture but he still thinks about her. Even now, in the frozen hell of Neptune, his body being torn asunder by the effects of its fourteen satellites, he still thinks about her. He knows she doesn’t think about him but he thinks about her. And while being locked in a monstrous cycle of transformation at the ass-end of the solar system doesn’t bring him and his ex any closer, it turns out she doesn’t feel any more distant than she ever did. So he lets go, he embraces the beast. And then maybe he sees a giant ice worm and jumps on it with a baleful howl. ICE WORMS.

That’s a start, at least. I want to know why Major Tom became a spaceman in the first place. I want to know how it felt to be condemned by an entire planet. Did it help to have traveled beyond Earth’s orbit, to have seen the pale blue dot from the outside? Or was it worse? Most of all I want to know why she doesn’t think about him, even now. That’s the most intimate question and I think I know the answer, but I’m supposed to be making some sort of point about writing. I guess what I’m trying to illustrate is that, even if you’re an idea writer and still struggling with characters, the fact is that delving into the world inside a character can be just as mysterious and compelling and fun as sending a werewolf to Neptune. Plus, remember that you are also sending a person to Neptune, and it’s on the person’s back that your reader is hitching a ride.

Many authors say you should write for yourself first, then the audience. I agree with that. I also feel that, if you have come to the outrageous conclusion that people should pay to read your stories (and though we never phrase it in that way, it’s what we believe) then you ought to at least keep the reader in mind. Don’t cater – challenge them as well as yourself – but don’t forget them in the rose-hued puppy love that often accompanies a new idea. And never forget that you are a reader and that you love great characters too.


Thanks, David! Great post!

Be sure to head to The Dunwoody’s website and check out all the awesome fiction he has waiting for you there!




Views From The Captain’s Chair! Episode Twenty-One: CON!!!

Captains ChairBlog

Ahoy, Mateys!

Short post today due to deadlines, deadlines, deadlines!

Which segues right into my reminder of last week’s post. I’m looking for guest writers! If you have an idea for a blog post on writing then let me know! You can read the original call to words here.

This week’s post, however, is about something I’m still new to: cons.

Just for full disclosure, I wanted the title of this post to be COOOOOOOOOOOOOOONNNNNNNNN!!!! You know, like a play on Wrath of Khan? Except I quickly realized it looked I was just yelling coon. Probably not the best way to make friends. Why did I share that? So you don’t make the same mistake one day. I’m just looking out for you. The more you know.

But, on to the subject!

Cons. Con is short for convention, if you were not aware. There are a billion of them out there put together on subjects from comic books to steampunk, pop culture to zombie culture. Scifi, horror, romance, adventure, what have you. If there is a fan base then there is a con for it.

Which is pretty cool.

I’ve only attended six cons, four of them local. I’m about to be an invited guest this coming weekend at ConCarolinas. Very cool. Especially since the Guest of Honor is none other than George RR Martin.  There are still Friday and Sunday tickets left, so go get some and come see me.

Why do I do cons? To meet fans, make new fans, make new friends, see old friends, and also to network. As a writer, that is the key right there: networking.

My first con, Horror Realm in Pittsburgh, is where I met a ton of my fellow horror authors I now call friends. It’s also how I got the idea to write Little Dead Man. Which ended up getting me my first agent and is now a Permuted Platinum title ready to be let loose on the shelves of Barnes & Noble and other bookstores come July 15th!


Without having gone to that con I would never have been directed towards the idea of writing a YA zombie novel. That would have meant I wouldn’t have been signed with Permuted Press and wouldn’t have been contracted to write my Middle Grade scif/horror series, ScareScapes. Or been given the chance to write my new space opera series based on the great English kings Edward I, II, and III (and the Black Prince!). One con got me all of that. After a few years of hard work, of course.

So what will this next con bring me in terms of my career? I don’t know.

What I do know is it will bring me expenses: gas, food, hotel, cost of books to sell at my author table (which wasn’t free, although it was very, very reasonable). Sure, I get to write it all off at the end of the year on taxes, but that money still comes out of my pocket up front. I’d probably do a lot more cons if it wasn’t for the cost.

And that’s the balancing act: what it is worth to my career versus what it does to my bank account.

I’d say, so far, cons have been way worth it, but I read horror stories out there of authors attending cons and the aisles were dead. Or just filled with costumed attendees that aren’t looking to buy anything and really just want to win the cosplay contest. What will ConCarolinas be like? Will I network or will I flounder and lose my shirt? Again, I don’t know.

But I’ll make sure and document the experience for you (pics!) and let y’all know how I thought it went. I’ll get to hang with some awesome folks, take part on some cool panels, maybe sells some books and make some new fans. Who knows? Sky’s the limit!

So be on the lookout for my post-con report! And also be sure to follow me on Facebook and Twitter so you can get the “live” reporting.



Disclaimer: Views From The Captain’s Chair are just that: views. These are not laws. These are not set in stone. I could be totally wrong. I could be off my rocker (shut up). I could be full of S-H-I-T. I could change my mind next week. All of that is possible. Who knows? But if even just a little of this helps you then I’m happy with that. If it just makes you stop and think then I’ve done my job. Which I really need to get back to. Blogging don’t pay for the bourbon! Oh, and the whole Captain’s Chair thing? Yeah, I write in a captain’s chair. It’s true, Mateys! Got a question? Need some one on one? Shoot me an email, a DM, a PM (no BMs) or comment below.

Jake Bible lives in Asheville, NC with his wife and two kids.

Novelist, short story writer, independent screenwriter, podcaster, and inventor of the Drabble Novel, Jake is able to switch between or mash-up genres with ease to create new and exciting storyscapes that have captivated and built an audience of thousands.

He is the author of the bestselling Z-Burbia series for Severed Press as well as the Apex Trilogy (DEAD MECH, The Americans, Metal and Ash), Bethany and the Zombie Jesus, Stark- An Illustrated Novella, and the forthcoming YA zombie novel Little Dead Man (available July 15th!), and Teen horror novel Intentional Haunting (both by Permuted Press).

Views From The Captain’s Chair! Episode Twenty: Time Is Not On My Side


Captains ChairBlogAhoy, Mateys!

As a writer I have control over so many aspects of my job it’s incredible. I make my schedule, decide what novels I will write next, create and destroy worlds daily, have the opportunity to attend the kids’ school events, run errands, write blog posts, tweet, FB post, and all that jazz.

Yet, even with all of that control, there is one thing, no matter how successful I end up being, that I can’t control: time.

Time will always be finite and unrelenting. Can’t stop the clock, right?

So, as I look at my schedule over the next three months I realize that unless I can find an extra day in the week, I won’t have the time I need for things such as a weekly blog post. Yep, gonna have to take a step back from the Captain’s Chair. Well, not really, since I write in this chair for hours a day. I’m just gonna have to gear down and go full steam ahead on novels from now until August.

And that is where you, fearless writer, come in!

I’m looking for guest posts!

You have an idea, experience, gripe, insight, and/or stupid human trick? Then let me know! I’m looking for good, strapping writerly types to fill some cyberspace each and every week from now until the end of summer. Or end of winter, for you folks down under.

Just shoot me an email at and let me know your post idea and when you can have it to me by. I look forward to all of the awesomeness!

Now the parameters: I want balanced posts. If you feel the need to skewer one type of publishing or writing or idea or whatever then move along, please. I SAID MOVE ALONG! Passion is good, but closed mindedness is not. Feel free to speak your mind. I’m all about minds that speak. Just don’t be a dick. Also, and this is important, the post needs to relate to the art/biz/insanity of writing. That’s kinda key. Other than that the sky is the limit!

So email me, bitches! Send me your wise, wise words. I’m all ears! Or eyes. Whatever…



Jake Bible lives in Asheville, NC with his wife and two kids.

Novelist, short story writer, independent screenwriter, podcaster, and inventor of the Drabble Novel, Jake is able to switch between or mash-up genres with ease to create new and exciting storyscapes that have captivated and built an audience of thousands.

He is the author of the bestselling Z-Burbia series for Severed Press as well as the Apex Trilogy (DEAD MECH, The Americans, Metal and Ash), Bethany and the Zombie Jesus, Stark- An Illustrated Novella, and the forthcoming YA zombie novel Little Dead Man, and Teen horror novel Intentional Haunting (both by Permuted Press).



Views From The Captain’s Chair! Episode Six: To Free Or Not To Free?

Captains ChairBlog

Ahoy, Mateys!

Today’s voyage takes us to the land of the free. No, no, we aren’t going to Sweden. Sorry. Nope, we are going to be talking about giving away work for free. Specifically, the idea that if you give your work away for free it will build your audience and create sales when you finally have something to offer for sale.

Easy topic, right? Yeah…not so much.

How about a little backstory?

*Cue wavy lines and doodleoo-doodleoo-doodleoo sound effects*

One night, as I was riding home from the Contessa’s party, I came upon a horribly disfigured man. This man… What? Oh, wrong backstory. My bad.

I started my novel writing career by giving my fiction away as a free podcast. It was an easy choice for me since I was listening to a lot of free podcast novels. I learned a lot from the trailblazers like Scott Sigler, JC Hutchins, Mur Lafferty, and the other amazing writers in that community.  I was introduced to Evo Terra and There was a sense that something revolutionary was happening with publishing and I wanted to be a part of that.

With the support of some of the above mentioned authors, I was able to get the word out about my podcast novel and soon I had a serious following. It was amazing and I’ll always be grateful to those that gave me a helping hand when they didn’t need to at all. Their help put me on the map.

And my goal, from the start, was to turn the momentum and success of my podcast into a publishing deal. I was able to do that with a small horror press. It was great.

Then ebooks hit.

Wow. The game changed. Everything changed.

I watched the podcast community crumble. Podcasting was no longer the “only” form of distribution for an author trying to break into the publishing world. I watched authors that had been on top, having millions of downloads, hit brick walls.  Some quit, informing their audiences that they were no longer going to give their fiction away for free. They were skewered. It’s the internet, right? You skewer people if they don’t hold up to the expectations you have imposed on them in your brain. That’s what the internet does.

I wasn’t any better. I skewered. Why? Because I had gotten wrapped up in the “cult” of free. That it’s more important as an author to give your audience what they want instead of getting what you want. That your audience has “made” you and you “owe” them free content FOREVER! Okay, okay, I’m going all hyperbolic and exaggerating. It wasn’t that extreme. Well, except that it was, in many ways.

I made a lot of claims, I said a lot of things, I opened my mouth and stuck both feet in. Why? Because I lacked experience and the perspective that comes with that.

So, ebooks. Let’s get back to that.

They hit the world and all of a sudden authors such as myself could immediately publish our novels without waiting for “Big Publishing” to knock at our doors. We could go from podcast novel to published ebook (and print since POD expanded as well) in the blink of an eye. Amazing!

Yeah, not so much. You see, free does not translate into sales. It doesn’t even follow the basic tenants of marketing which is a 10% return on investment (ROI). Let’s say I had 10,000 subscribers per month, which was my estimate at my podcasting peak, then it would stand to reason I’d be able to sell 1,000 ebooks. Right?


It was more like a 1% ROI. If that. But, hey, maybe I wasn’t marketing well enough. Maybe I wasn’t getting my message out there since so many new writers had entered the podcasting sphere. Maybe I was getting lost in the noise.

Okay, so write the next novel that the listeners are hungry for and get that out there. Bam! Bam? Bam…

Plenty of downloads, almost no books sold. Poop. This free thing was starting to get a little suspect.

So I took a break for a bit. I concentrated on writing ebooks under a pen name in a certain gold rush genre. I sold El Shit Ton of books. It was amazing. Then the rules changed and Amazon screwed up the party. Kinda like back in the ’80’s when the California real estate bubble burst and everyone realized that coke was burning holes in their sinuses. Party over.

Time to dive right back into podcasting! Get that new novel out there and sell, sell, sell! I decided that I’d release the ebook first then podcast the novel to build interest in the ebook. Good strategy. Except it didn’t work. What I was hearing from fans wasn’t, “Great novel! Loved reading it”, but instead I heard, “Are you going to podcast it?” and “I like listening better than reading.” Or “You promised to podcast everything”.

My personal favorite was “By not podcasting this first you don’t give your fans a chance to decide whether they like it or not. I don’t waste money on books I haven’t listened to first for free.”

That’s an honest to God quote.


Now, don’t get me wrong, I had TONS of dedicated fans that bought my novels. THOSE FANS ARE THE BEST! I still chat with them on my website, on Facebook, on Twitter. Many have become actual friends. Seriously. I won’t list names, but if we’ve interacted in the last week then you are on the BEST list. You know who you are.

I don’t want to sound ungrateful, completely the opposite. I am very grateful. For all of the exposure, the friendships made, the connections in the industry, the hard lessons learned. All of it. So very grateful.

Yet, podcasting wasn’t my end goal and I realized it was getting in the way of said end goal. That goal? Get published and be a full time, successful writer. Not a full time podcaster. Podcasting doesn’t pay the bills.  So I quit.

A year ago I walked away from podcasting. It was noticed in the community and I got skewered, just like the others that had quit before me. Many people wrote blog posts, or recorded podcasts, about me quitting and turned that into a rally cry to keep up the FREE! Free, free, free! Anything else but free was treason! TREASON! Again, being hyperbolic here. The treason comments were from a vocal minority. But they were vocal. And they had/have the right to be vocal.

Oh, well, no worries. I now had the time to dive into writing and not worry about podcasting. The shift in focus changed everything. I was no longer a “podcast author”, but a writer. I was no longer beholden to download numbers that meant absolutely nothing. My time was all about words on paper, not words in Garageband.

Why write this huge, rambling post about this?

Because this weekend I cleared out my podcast feed of all free fiction. Wiped every single post away. Instead, my feed will now be dedicated to offering samples of my audiobooks (which fans can buy on Audible, Amazon, iTunes), essays when the mood strikes, and also other offerings. There could be interviews or readings or whatever. I do like the audio format, but it is now a compliment to my writing, just like my Facebook page or my Twitter account or this blog. Another way for me to interact with fans and readers, but not the only way.

I am now a full time writer with contracts in place with two publishers. I crank out a novel a month. Yep. I am a writing machine. And I credit a lot of my success to quitting podcasting and getting my head out of the free model. Not because free is bad, but because it clouded my vision of who I was as a writer and where I wanted to go.

Some of you have been reading this and are saying, “Oh, yeah? Well so and so turned their free novel into a huge publishing deal!” And “Blah blah author is now selling BILLIONS of ebooks a month after giving their work away for free!”

Those are outliers.

In fact, all success in all forms of media are examples of outliers. Let that sink in.

The entertainment industry as a whole is not made up of successes, but of failures. Only an estimated 1 in 400,000 make it in entertainment. That includes agents, grips, editors, cover designers, extras, chorus line dancers, make-up artists, writers, gaffers, etc. You think you’ll be one of those lucky ones? Could be. But there are 399,999 other people that think so as well.

Now, with that all said, am I condemning giving your writing away for free? Hell no! Seriously, I think it’s a great idea! You can build an audience, you can hone your craft, you can meet others and strike up life long friendships. Giving away your writing for free is a fine solution if you are just starting out. Way better than publishing straight to ebook. Don’t do that. Learn first. Get your shit in gear. Get feedback. Become the writer you want to be, not the writer you are trying to be. There’s a difference.

So if you are going the free route, bully on you! Just understand that it is a step and a tool, not a career. And not a cult. Develop a plan for your free works. I have my Friday Night Drabble Party each week. I give away a 100 word story every Friday night. It’s easy to do and it helps me work on ideas I otherwise would let sit or forget about. I dig it. But it only takes up an hour of my time each week. Does it bring new readers/fans? Not a clue. That’s why I look at it from the practice/exercise perspective. It’s as much for me as it is for any readers out there.

And there you go. My experience with free. It won’t be your experience, that’s for sure. We all live individual lives. We all have to choose our paths. Find yours and own it. Own it as in buy it, because nothing in this world is truly free, and if you own that then no one can take it away from you. Or something profound like that.


Oh, shit! I totally forgot to take us out of flashback mode!

*Cue wavy lines and doodleoo-doodleoo-doodleoo sound effects*

Disclaimer: Views From The Captain’s Chair are just that: views. These are not laws. These are not set in stone. I could be totally wrong. I could be off my rocker (shut up). I could be full of S-H-I-T. I could change my mind next week. All of that is possible. Who knows? But if even just a little of this helps you then I’m happy with that. If it just makes you stop and think then I’ve done my job. Which I really need to get back to. Blogging don’t pay for the bourbon! Oh, and the whole Captain’s Chair thing? Yeah, I write in a captain’s chair. It’s true, Mateys! Got a question? Need some one on one? Shoot me an email, a DM, a PM (no BMs) or comment below.

Jake Bible lives in Asheville, NC with his wife and two kids.

A professional writer since 2009, Jake has a proven record of innovation, invention and creativity. Novelist, short story writer, independent screenwriter, podcaster, and inventor of the Drabble Novel, Jake is able to switch between or mash-up genres with ease to create new and exciting storyscapes that have captivated and built an audience of thousands.

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