Category Archives: Views From The Captain’s Chair!
Really, I have nothing to say in this post, I just wanted to use the title “Hit or Myth”. Seriously, it was too good of a pun not to use. Is it a true pun, though? Or just a play on words? Or are they one and the same?
Answer: I don’t care, I like it.
Which brings me to the real meat of this post: the first draft.
There are a lot of very good writing resources, and very good writers, that state the first draft of a novel sucks. It blows. It is nothing but pure, unadulterated, uncut, shite. And they aren’t wrong. This post is not here to disprove that notion. Although I haven’t read many writers’ first drafts, so I cannot so for certain whether or not they do suck the hairy nuts of a ripe and smelly yeti.
But what I can say is mine don’t.
Don’t get me wrong, my first drafts can party with the best of them; they know the beauty of some good sweaty yeti nut suckage (Don’t we all?). It’s just that my first drafts aren’t the type of drafts that need to be ripped apart and then pieced back together. At this point in my career and writing experience, my first drafts are about 85% to 95% solid (with the exception of commas. I am comma illiterate,).
It’s that last little 5% to 15% that has the bees on their knees taking it from that sweaty yeti (I have no idea what that means, but it was fun to write!). Those bits and pieces of the first draft that don’t quite fit, that are out of context, that ruin the pacing, that are so factually incorrect that I have to wonder if someone didn’t sneak in and write those parts without my knowing. For me, those are the things I fix.
I don’t go back in and rip out this chapter or rearrange that chapter. I don’t cut characters and switch others’ motivations. I don’t suddenly decide that the setting should be the surface of mars instead of the surface of the moon. I just don’t do that. The novel I write is the novel I intend to turn in to my publisher. Why would I spend all of that time writing only to toss out what I’ve written and start over? That’s crazy talk.
Now, to be honest, there is that time thing. My 2014 schedule was writing a 75K word novel a month. Which is totally doable, by the way (I’ll save the details on that process for a different post). But a novel a month pace means I didn’t have the luxury of trashing my first version and starting over or Frankensteining the shit out of it until it’s a new creature. The novels were the novels and fixing the boo boos was my only solution.
That kind of pressure, and constraint, means I’ve gotten pretty damn good at sorting out my thoughts as I write. Do I outline? Somewhat. But I always deviate from the outline eventually. The story goes where the story goes. Yet I never try to force the story in any particular direction. That’s why, when it’s all said and done, the draft I have is pretty much what’s getting published.
But, what about my first novels? What about those novels that came before all my experience with cranking out pulpy goodness?
Same process. I’ve always been this type of writer. Even with my very first novel, Dead Mech, the version that was podcast was the version that has been published. First draft. Now, I did a LOT of editing along the way with that one because it was a drabble novel. Each section was tightened as I went. So there is that. But my second novel, third, fourth, fifth novels, all had one draft that I fixed and tweaked slightly then turned in. Done!
Would I go back and fix some stuff in those novels? Maybe. I’m sure I could. But why? I have great feedback on them and even if I did fix some things there will always be people that will find fault.
And that’s the key! There will always be people that find fault!
Trying to write the perfect novel is impossible. Impossible, I say! Why? Because reading is subjective. Once you are done and that puppy gets put out there then it’s up to the individual interpretations of the readers. And boy will they interpret! You could work for hours and hours, days and days, on a specific chapter, fine tuning it until it sings and there will still be folks that say, “Meh”.
That’s the biz.
And I guess that’s the main reason I don’t go back and rework everything: who’s to say the new version is better? I can’t. I’m too close to it. So I fix the typos (except the commas, because I just, can’t) look for continuity issues and then I’m done.
Done. Wipe my hands of it and hit send to my publishers. Bam!
What does this mean for you as a writer (if, in fact, you are a writer that is reading this)? It means your process is your process and if you feel good about your first draft then don’t mess with it. It’s okay to like it and think it isn’t a piece of shite. It also means it’s okay to hate it and shred it. Your process. Yours. No one else’s.
Of course, this doesn’t mean you crank out a crap manuscript and then argue with the world when they say it’s crap. Keeping a first draft means the first draft has to actually be good. That’s the catch. Just because you wrote it doesn’t mean it’s readable. But with experience you learn what works and what doesn’t. I have more than a few incomplete manuscripts I’ve ditched because I knew I was wasting my time on something that wasn’t any good.
Did any of this help? I hope so. At the very least I want to expand your concepts of what can and can’t be done when it comes to your writing process. Want a quick hint? Anything can be done. There is no can’t. There’s just quality. And readers are the final judge of that.
So, that’s about it for this week. Next week I think I’ll dive into my actual step by step process of how I write a novel, from idea to submission.
It’s 2015, y’all, and Views From The Captain’s Chair is back!
I have sort of made a resolution, although I hate to call it that since we all know how well resolutions fare (hint: they don’t). What’s my resolution? To keep up with writing a weekly blog and give a little insight into how I got where I am as a full-time writer and how I get through the process of day to day writing without losing my shit. It isn’t always easy.
Now, what I won’t be doing in this blog is reacting. If there is a publishing issue out there, and we all know there always is, I’m going to ignore it and not weigh in on the subject. Why? Well, for one thing, there are way more qualified writers and publishing professionals out there that can give you insight into the many facets of [insert publishing kerfuffle du jour]. But, the main reason is because none of that crap is my problem, it’s all just a distraction from what I should be doing, which is writing.
We live in such a divisive, and punitive, world that I don’t feel the need to add to it all. I’m just gonna be Jake and let y’all know about what I’m doing, why I’m doing it, and why you shouldn’t give two craps about me because your life is your life and your path is your path.
See that? I just told you my blog posts really aren’t worth your time. Read them if you want some insight into my process, but always remember, if you are a writer reading this, that your process is your process. There is no one single path. There aren’t even just two paths. There are infinite paths. INFINITE! Find yours, fight to stay on it, and read my shit if you want some entertainment or company along the way.
With all that said, I’m going to dive into what my 2015 is going to look like and why/how I got here (hint: not on a Segway). Ready? Away we go!
First, I have eight novels to write for Severed Press. Last year I was contracted to write a novel a month, with a couple months off in between. This was good because it gave me focus, gave me advances (income for the win!), and kept me disciplined. But, what I learned is my natural compulsion for punctuality was ripping my soul apart.
Okay, that’s a bit hyperbolic, but it’s close. I’m a little on the spectrum when it comes to timing. I get to movies a half hour before they are supposed to start; I’m never late turning in library books; and I have to force myself to be fashionably late to parties. I have punctuality issues, I know this.
When I found myself behind with novel deadlines in 2014 I came close to freaking out. I learned something in 2014 that I am now applying to 2015. What did I learn? I have focus and discipline, I don’t need the killer deadlines. I have never worked so hard at a job in my life, and if I fail then my family goes broke, so that is drive enough. The deadlines were more a distraction than anything.
So, in 2015 I will not have any deadlines except for December 31st. I have to have eight novels turned in by then. I can do that without going cuckoo for cocoa puffs.
What are these novels, you ask? Well, let me tell you! In list form!
In Perpetuity– A military space thriller based on a short story I wrote a long time ago. There will be lots of blasters and star fighters and pew pew pews and aliens and space battles galore and all that cool shit. Yes!
AntiBio 2– I’ll be wrapping this series up with this sequel. It hasn’t done as well as we’d liked. Oh, well.
Z-Burbia 6: Rocky Mountain Die– Yeah, baby, that’s the title! This novel will wrap up the Stanford part of the Z-Burbia saga. This doesn’t mean I’m done with the series, but I may be taking it in a different direction. Maybe.
Kaiju Inferno– The third book in my Kaiju Winter series. Shit gonna get crazy!
Mega 4– Team Grendel will be back and the adventures will be AWESOME!
Dead Team Alpha 2– Gonna wrap this series up as well. Like AntiBio, it never took off. No worries.
Kaiju Fall– The finale to the Kaiju Winter series.
Eighth Book To Be Named- Could be another Mega or more military space goodness. We’ll see. Huzzah for flexibility!
I’m also working with a good friend of mine from back in the high school days, Joel Barber, on a comic book series. It’s post-apocalyptic, but not dystopian. First script is done and we’re going to be pitching it to a specific comic book publisher. We may have a good shot at getting this. Fingers crossed.
I may get back into narration and tackle my Kaiju series as well as DTA. I should (hahahahaha!) have the time to do some recording/producing. That’d be cool. When will that happen? As soon as I get a new Mac. I can’t trust my current Macbook to handle the stress and there’s no way I’m recording for six hours just to have it all get dumped because my ancient Mac shits the bed. Not happening.
Possibly working on the script for MALK: The Movie. This is a continuation of the short film I made with Team Long Shot for the 48 Hour Film Project. Hoping to get enough interest and funding to make a feature film. More fingers crossed!
I also have two new novel series I want to get working on. One could be an extension of the Z-Burbia universe and the other is brand new, but totally awesome. What are they? Ha! Wouldn’t you like to know! I’m a brutal tease! Muwahahahahaha!
And, as always, I’m sure I’ll get myself overbooked on other stuffs. It’s inevitable.
In addition to all this work, I may take a very long vacation with the Fam over the summer. A cross country road trip out West. The plus of a long trip like that is I can write in the car while we drive. The minus of a long trip like that is I can write in the car while we drive. Oh, the dichotomy of life!
Oh, wait, there’s more! In addition to the Severed Press novels coming out, I also have two series from Permuted Press being released (I think).
The first is ScareScapes, which is a middle grade horror/scifi adventure series. Think Goosebumps in deep space meets the Scooby-Gang. I know there are plenty of kids ages 8-12 that want some good horror/scifi fun, and plenty of parents that are trying to find that fun for them, so this series is made just for them. It’s gonna be great! Be on the lookout for these this summer, I believe.
The second is my Reign of Four series, which I have loosely based on the reigns of Edward I, Edward II, Edward III, and the Black Prince of England. This series is full on medieval space fiction. Everything is stripped down tech wise and it centers more on the drama of life than on the action of space. Don’t worry, though, there will be blood! And guts! And sex! It’s Game of Thrones in space, yo! Hopefully these will start coming out before the holiday season. Hopefully.
Is that all? Dear God, I hope so. I think that’s enough for one year.
I hope (I’ve got a lot of hope) this info gives y’all a little insight into my writing career. It’s not all sitting on the couch watching American Horror Story while eating Doritos. Sure, that’s a big part of my process, but not all of it.
Happy 2015, y’all!
So, as many of you may or may not know, there has been a little kerfuffle over Permuted Press and its decision to stop releasing the majority of its novels in POD (Print On Demand). So, I thought I’d chime in now that most of the drama has chilled out. Why chime in? Because I’m a Permuted author and there have been a ton of rumors, misinformation, and flat out lies said about what’s going on.
Now, originally I had a legal pad’s worth of notes I was going to address with responses to claims that a couple of authors have made. But, in the end, I decided not to give them my energy. Flame wars are useless.
Let me just say this, though: the blog post that started all of this is so riddled with falsehoods and flat out lies that even if there is some truth in there, you better believe you’ll need to dig through a pile of horse shit to find that truth. [Quick note: I couldn’t help myself and went back to said blog post. Guess what? Half of it is gone and edited out. So, I amend my statement above and say WAS filled with falsehoods. Interesting.] And the subsequent blog posts that came out, including an author’s declaration of his personal boycott against Permuted, are all based on the original post by an author that had an axe to grind based on employment issues well before the kerfuffle started. Employment issues, not publishing issues. Trust me when I say that that original blog post cannot be trusted in any way, shape, or form.
Speaking of trust (and truth), I made a statement on Twitter in response to something James Roy Daley (I link because I like!) tweeted. My statement was that some authors have flat out lied about their versions of paying to be released from their Permuted contracts. But, since I cannot say for 100% certain that they did lie, as I am not privy to their personal interactions with Permuted, I willingly retract my statement and apologize to Mr. Daley for misleading him. My bad. I also apologize to those authors for making any misstatements myself. This post is about clearing up misstatements, not perpetuating them. Again, my bad.
See? Being honest and admitting when you are wrong isn’t so hard. Others should try it.
Back to the kerfuffle!
Here’s the deal, Permuted Press announced that they are going to be publishing in primarily ebook format from here on out. Their reasoning being that 42% of labor was going into getting books ready for print whereas only 7% of sales were coming from print books. Now, be sure to read those numbers carefully. They are very telling because unlike so many reports, this wasn’t about not being able to afford the costs of POD, it was all about wasting 42% of labor (time) on 7% of sales. No respecting business would keep going in that direction and I sure as hell wouldn’t want them to.
But, regardless of the business aspect, the news was hard to swallow for many. There is the emotional aspect of holding a print book of your own, not to mention the ego boost of being able to point to it on a shelf and say, “That’s mine!”. Due to the emotional issue, many authors lost their shit over this. I am not exagerating. Some flat out freaked. Many of those authors were first timers and I can totally see why they’d freak. Without my experience in business and in the writing game, I’d have freaked too.
Full disclosure: Permuted’s decision does not affect me. I am part of their Permuted Platinum imprint which means my books (with the exception of one) are not POD, but offset print. That’s a whole other ball of wax. So, in all honesty, I had the luxury of standing back from all of this and analyzing as an inside outsider. It was surreal, to say the least.
Where was I? Oh, right, no more ebooks. But, wait! That isn’t 100% true. Here is Michael Wilson’s, CEO and President of Permuted Press, response to that:
“First, Permuted Press is NOT ceasing all print. The email was worded for, and sent specifically to, authors who had works releasing with us in the future. It leaked beyond those recipients and landed in the lap of people that are unaffected by our policy change. In fact, if you have a print title with us already, the news is even better. We’re shifting our printing away from Createspace and over to Lightning Source. This change, when fully implemented, will mean that anyone who currently has a printed book with Permuted Press will be able to go in to their local book store and ask them to stock that title. Lightning Source print on demand books are made available through the Ingram catalog, and retailers anywhere in North America can stock those titles. This isn’t the same as Permuted Platinum where a sales team works to get bulk buys and acquire shelf space for the books, but current print titles from Permuted Press will be available upon request to order at retail.”
That clarifies, but doesn’t help those that felt/feel betrayed by their novels not seeing print. Which then led to the major meltdown from many authors that wanted out of their contracts. While most quietly contacted Permuted, and were let go without hassle, some made a public display of their struggles and then began a smear campaign of misinformation and misdirection. I’m not here to defend Permuted. I’m Team Jake 100% of the time. So, let me have Michael speak again:
“Next, there has been some misinformation spreading about Permuted asking authors to buy back their titles. Let me clarify the reality of this accusation. Because we understand that many of our authors would not have signed with us as an electronic only publisher, and that our new e-first model would create some concern, we have very liberally been granting authors rescission of their agreements, including print rights as well as all other rights. The exception has been for a very small number of titles that Permuted Press has already made a financial investment in for artwork or editing. In cases where we have not yet paid an advance and we have not worked on art or edits for titles in question, we have freely and without hesitation allowed the author to have their rights back. In some cases we have borne the burden of artwork and editing and taken a loss in an attempt to absorb the sting of a thorny situation, but in no case have we held an author’s work for ransom.”
There’s that. Goes against a couple authors’ assertions they have been held for ransom. Maybe they have or maybe the authors were so offensive and aggressive that no one in their right mind would want to help make things easier for them. Speculation! I don’t know the answer to the specific accusations, I just know what I’ve witnessed so far: authors being let out of their contracts without a fight.
And speaking of contracts, that is the next direction the kerfuffle went! One established horror author hopped on his soapbox, using the less than credible postings of a disgruntled author as his fuel, to attack Permuted’s boilerplate contract. Then the HWA got involved as well as Absolute Write.
Let me say that Permuted’s boilerplate contract is not author friendly. I knew that the second I read it. Which is why I negotiated changes and Permuted was happy to make those changes. End of story for me. Other authors did not read the contract or understand it or give it to a professional that would understand it. They signed it and then got slammed in the face with the Regret Hammer once the ebook announcement came out. BUT, and that but is big for a reason, if you read the statement above, Permuted is willingly letting authors out of their contracts! So whether it is a crap ass contract or not is moot. Permuted has been doing right by its authors and freeing them from contracts they are not happy with.
So let’s shut up about the contract, okay? It’s every authors’ responsibility to read and understand what they are signing. Shit, folks, it’s every AMERICANS’ responsibility to read and understand what they sign! [You foreigners can sign whatever you want. I don’t care. I’m looking at you, Kiwis. ‘Murica!] [[That’s a joke. I love Kiwis. They are all short and have hairy feet and eat second lunches and elevensies. Especially Paul Mannering. One day I’ll be able to hug that hobbit in person.]] [[[All jokes. Calm down. No, seriously, calm down. What are you doing with the axe? NOOOOOOO!!!]]] [[[[I’m playing here, folks. Paul has had a great take on all this. Click the link above.]]]]
Shit, where was I? Contracts. Right. Another thing on the Permuted contract: the brass knows it’s a shite contract and during a meeting I had with them in September, they said they were working on changing it so it was more author friendly and would give authors way more rights and freedoms with their work. This was weeks before the announcement. That’s why, for me, the contract issue is a red herring and has been used as a smear weapon against a publisher that is already in the thick of fixing it. They probably should have announced that, though.
So, if all of this is being addressed and authors are calming down (are they?), then why am I talking about it, you ask? Because, whether directly or indirectly, my reputation has been attacked because I am sticking with Permuted Press. Hear that? Yes, I am sticking with Permuted Press. Why? Because they have been nothing but professional to me from day one. They have kept every promise and have gone out of their way to be open and honest with me. Because that’s what people do when they are professionals.
Ah, yes, people! This is where it gets personal. This is where I really started to get pissed about the smear campaign. You see, a lot of authors and bloggers want to paint Permuted as some investor owned mega corporation that only cares about profits. That’s bullshit. These are really, really, really nice folks. And they are not a mega corporation, they are a team of six (maybe seven now) hard working, horror and genre loving fans that have been overworked and under appreciated. I got to meet all of them in Nashville and we had a blast sitting and eating tacos and talking about our love of True Lies and Con Air.
True Lies and Con Air, people! That’s not evil, that’s just awesome!
So, when you picture Permuted Press, don’t picture an ivory tower, picture several enthusiastic lovers of all things genre with sour cream and salsa on their chins. That’s how I picture them. Seriously.
Okay, what else? Right, how it all sucks.
It does. R. Thomas Riley posted about the ebook only move and while I corrected him about the Nashville meeting and how none of the authors present were ever told to lie, not ever, even though he makes it sound way more ominous and conspiratorial than it was even in my correction, I do agree that he and Roy C. Booth got screwed because they don’t have physical copies of their book for a book signing. That does blow. And I know there are others that got left in the lurch. That’s why I am leaving this part at the end of my post.
Permuted Press could have, and should have, handled this a little (a lot) better. Leaving some authors without print books they had planned on getting isn’t cool, contract or not. Not responding to all the misinformation and BS blogposts while the authors are being attacked left and right for staying with them isn’t cool. Keeping authors in the dark for a week when there were a billion questions isn’t cool. It does hurt the spirit of small press publishing.
That’s why I’ll give Michael the last word (almost!) on that subject:
“It’s been a week since I announced the changes going in to effect, and before I made any comments here in the author’s group, I was determined to give emotions a chance to calm a bit so that we could have a calm, civil discussion. I believe we’ve all seen in the past week the wisdom in that decision. I have been silent, but I haven’t been distant, disconnected, or lacking in concern.”
Like I said, almost the last word. I don’t think it was wise to stay quiet. Things got messy. But, in the end, I have to admit that I too stayed quiet (for the most part) for the exact same reasons- to give emotions a chance to calm a bit. I am hoping they have and they continue to. Sure, there are still those that are hurt and pissed and want to lash out, but I think they have had time to look at the reality of the business and see this is not the end of the world. As for the others that want their personal grievances and war to be every authors’ war, I have only this to say- grow up and fight your own battles especially when you use blatant lies and misdirection as your only ammunition. Just knock it off. Especially the guy that believes threats of violence are the way to get a point across. Grow up, dude. Really.
Now, that’s my statement on the matter. I’m done and have three novels to write/finish before the end of the year. Jake ain’t got time for this!
If you want to comment, please do. Just be respectful and honest. No rumors, no unsubstantiated anything. Be professional and be prepared to discuss, not fight. Cool?
I know, I know, the Views are supposed to be on hiatus, but I just couldn’t let this one go. Read on, fearless warriors!
If you are a writer then you probably heard about Amazon sending out an email over the weekend. Yeah, it was a bit surreal, to say the least. A lot of propaganda and misdirection and all that other giant corporation stuff.
Chuck Wendig and Matt Wallace did a great job dissecting the email in their posts. You should go have a read. It was also covered by Time, Huffington Post, Wall Street Journal, and fifty trillion other online word pukers. (I include myself in the “word puker” category, so nobody get offended, alright? We’ve all had too much prose and ended up getting sick all over our stack of unread New Yorkers. No shame there.)
There is a lot of back and forth spittle and hissing between the Team Amazon authors and the Team Hachette authors. There is also a lot of stepping in the middle with T hands and a referee’s whistle telling everyone to chill and realize this has nothing to do with authors, but everything to do with mega corporations and profit.
I agree with a little on one side, a little on the other, and a whole lot of the middle.
But there is one thing I have yet to see anyone touch on that is really the absolute crux of this matter: Amazon’s ebook sales data.
Now, before you start pointing at the links to those blogposts, hear me out. I concede that several authors and reporters have mentioned that Amazon can easily be cherry picking their data and only showing what they want us all to see. I agree with that. Example (directly from Amazon’s email):
“Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We’ve quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.“
Good numbers, right? Maybe. Plenty of people have wondered how many ebooks sell at $10.99 or $11.99, but Amazon doesn’t release that info. Authors want the full numbers to analyze and that ain’t happening.
The problem is no one is realizing that the data they want means absolutely zero. You see, folks, the data Amazon releases to the public is rigged from the beginning. They could print their entire database and it makes no difference.
Why? Simple: Amazon controls what sells on Amazon.
Chew on that for a second.
Sure, people have free will and can buy whatever they want, but it has been proven time and time again that when Amazon markets something specifically that something sells like crazy. That means, if Amazon wants $9.99 ebooks to be the bestsellers then they can tweak their marketing, promotions, and search algorithms to make damn sure $9.99 ebooks sell more than other price points.
How about a metaphor/analogy!
A farmer sells apples. He has tons and tons of different apples. The guy grows it all, yo, from Red Delicious to Arkansas Black. This farmer is your go-to apple guy, right? So you head to his farm and he has barrels and barrels of all the different apples for sale out front for $9.99 a pound. Seems a little spendy, but you’re all “Gotta have my apples!” and you buy a couple pounds of this and a couple pounds of that then head on home for the apple enjoyment portion of life.
Now, are you the farmer’s only customer? Heck to the no! Lots of people dig this farmer’s apples so they go to his farm and see the barrels and barrels of $9.99 apples. Some people see that there are other barrels of apples tucked away in the barn behind the farmer, but only a couple of folks go check those out. Why bother hunting for other apples when you can get the yummy ones in front of you for $9.99? So, folks be buying some $9.99 apples and when the local news station comes by to do a happy, feel-good piece, they ask the farmer which apples sell the best.
“Oh, lots sell, but folks like the ones right here for $9.99 the most,” the farmer grins. “Who doesn’t like $9.99 apples?”
See where I’m going with this? There were other apples tucked away for different prices. I’m not saying those apples were better quality or worse quality, or even different apples, but they were shoved out of sight and out of mind by the farmer so all his customers saw were the $9.99 a pound barrels.
That’s what Amazon can do; they can make sure you, and everyone else, buy ebooks at the price point they want. And that is what makes their data worthless when proving anything regarding readers’ buying habits. You want to know what price readers want? Then get sales data from ALL the ebook retailers and compile that. Then you’ll have some true data and something to talk about.
Until then, all anyone is doing is pointing at the news clip of that farmer saying “Folks like the ones right here for $9.99 the most” and calling it cherry picking when the truth is there isn’t even a cherry in the bunch.
I’ll let y’all ponder that for a while. Good luck.
Disclaimer: Views From The Captain’s Chair are just that: views. These are not laws. These are not set in stone. I could be totally wrong. I could be off my rocker (shut up). I could be full of S-H-I-T. I could change my mind next week. All of that is possible. Who knows? But if even just a little of this helps you then I’m happy with that. If it just makes you stop and think then I’ve done my job. Which I really need to get back to. Blogging don’t pay for the bourbon! Oh, and the whole Captain’s Chair thing? Yeah, I write in a captain’s chair. It’s true, Mateys! Got a question? Need some one on one? Shoot me an email, a DM, a PM (no BMs) or comment below.
Jake Bible lives in Asheville, NC with his wife and two kids.
Novelist, short story writer, independent screenwriter, podcaster, and inventor of the Drabble Novel, Jake is able to switch between or mash-up genres with ease to create new and exciting storyscapes that have captivated and built an audience of thousands.
He is the author of the bestselling Z-Burbia series for Severed Press as well as the Apex Trilogy (DEAD MECH, The Americans, Metal and Ash), Mega,AntiBio, and the YA zombie novel Little Dead Man, as well as the forthcoming (October) Teen horror novel Intentional Haunting (both by Permuted Press).
Yep, you read that title correctly. The blog will be on hiatus for a few weeks. Deadlines, am I right?
That and I’ll be taking the very first vacation my family has ever taken together. I shit you not. Sure, we’ve gone on “vacation”, but it has always been with extended family, to see extended family, to see friends, or for some specific reason or other.
This will be the first vacation where I’m with the wife and kids only. No one else. First time.
And we get to go see Vermont and Maine, which will be nice! Never been north of Pittsburgh, personally. On the East coast, at least. I grew up in Oregon, so I’ve been from BC to San Diego on the West coast. This should be fun!
But, taking this vacation means I’ll be behind with writing, so no time to bloggy blog until I get caught up. Looking like August or September. I’ll keep y’all posted!
Before I go let me thank each and every one of you for reading this blog, reading my books, and for just being awesome!
Rock on, rocking rockers! See ya in a few weeks!