• The Idea.

    *cue fanfare*

    The idea is what starts it all. Without the idea then the project never happens. Every novel or story has to have that spark, that catalyst that drives the creation of the work. Without the idea you are flying blind. (Unless flying blind is the idea, but that’s a whole other post).

    So…where does the idea come from?

    Good question. For you? I have no idea (see what I did there?). For me? Read on!

    Everyone’s idea generator (available at Home Depot for $99.99 after rebate) is different. Some folks wake up in the middle of the night and write it down only to get up the next day with zero recollection of the nocturnal inspiration. Some get inspired by other works or by the Muse (available at Pier One Imports for $35.99 plus tax). Many struggle through several variations on a theme of an idea until the final one solidifies. Others it just “comes” to them fully formed. And drugs. Let’s not forget drugs. Each artist is different.

    For me, I tend to get my ideas right before bed. They slam into my semi-awake head and I write them down. I always write them down! There is nothing more disappointing than knowing you had a great idea the night before but can’t figure out what it was. I actually had that happen a couple weeks ago. I wrote down the title, without any description, then had no idea the next day what the actual meat of the idea was. Bummer.

    Now, pre-sleepytime ideas are not my only source of inspiration. I’ll have conversations with friends and they’ll be talking about something unrelated to horror or scifi and my brain will latch on and say, “Huh. What if blah blah was actually blah blah?” Many times I get blank, but polite, stares. Sometimes I get head nods. Every once in a while I get the “you should totally do that” high five. Hell, I have an idea right now that will probably become a series next year that I got from a friend. He had an idea, gave it to me, and I fleshed it out and will be running with it! Yay for friends!

    Oh, and don’t start whining about “being original” because that is bullshit. There hasn’t been an original idea since man started telling stories around the cave fire. And even back then the stories were probably handed down by our alien overlords that seeded the planet. Derivative is fine, as long as it is good and it is marketable.

    And, being in the scifi/horror/thriller genre, which are all pretty derivative, I have been known to get my ideas by mashing up two or three other ones into a new form that hasn’t been done before.

    Case in point: Dead Mech (available on Amazon for $2.99).

    When I got the idea for Dead Mech, I was watching TV and the Transformers 2 commercial came on. Regardless of your opinion of the franchise, those freakin’ robots are pretty awesome. Seeing those guys led my brain to connect to the old MechWarrior and BattleTech games that I never played, but always wanted to. Gundam probably hopped in my noggin as well. Those thoughts instantly melded with my desire to write a zombie novel, but in a way that hadn’t been done before. Bing, bang, boom, a few seconds later it all coalesced into the idea of what would happen if a mech pilot died in his/her mech and turned into a zombie. Dead Mech was born!

    Other times the ideas come from outside sources. Take Z-Burbia, for instance. My publisher, Severed Press, wanted a “straight up, Romero-esque” zombie series. My first reaction was that it had been done so much there was no way I could bring anything new to it. Then the “write what you know” adage smacked me upside my head and I realized that the beauty of Romero is that he is commenting on the American Way, using zombie horror as almost satire. Dawn of the Dead was set in a mall to mock consumerism. What if I set my series in the same type of suburban subdivision I lived in and mocked the pointless crap that goes with that?

    Bam! Z-Burbia, baby!

    Mega (available at Amazon for $2.99)? How did I get the idea for Mega? Again, Severed Press wanted some deep sea thrillers and sea monster horror novels. Giant, prehistoric sharks are always a good fit for that kind of stuff. But, I didn’t just want the same old “scientist finds shark, shark eats everyone until scientist kills shark” novel. (For the record, despite some of Mega’s reviews, I have never read MEG by Steve Alten. Didn’t know it existed until well after I wrote the first Mega novel and saw it mentioned in a review).

    Again, as with Dead Mech, I decided to meld genres. I took the giant shark, deep sea horror novel, and mixed it with the elite team of badass fighters novel. Team Grendel was born. Why did I go that route? Because I saw how successful the elite team stuff was for authors like Jonathan Maberry and Jeremy Robinson, just to mention a couple. I turned a horror novel into an action adventure thriller novel and it has certainly paid off.

    This brings up another way to get ideas: the charts. No, seriously. If you aren’t sure what to write, but are burning to write something, then look at the bestseller charts on Amazon. See what is selling there and if anything piques your interest then go for it!

    Which leads me to my last part about ideas: it’s okay to think of marketing. I have dozens and dozens of ideas for novels, but only a couple are worth pursuing. For me, there is zero point in wasting my time writing a novel if I don’t think it will sell. And I’m not talking about it selling to a publisher, I’m talking about it selling to readers. Because that’s what really matters.

    Think of it like this: you’re a chef and you have an amazing idea for a dessert. You know it will be delicious, you know once folks try it they will be blown away. Only problem is it is banana cheddar spinach pudding. It may be the most awesome pudding ever made in the history of awesome puddings, but no human being is going to order that off the menu. Same goes for novel ideas. Thinking of marketability is totally cool.

    Are there more ways to get ideas? Hell yes! The ethereal idea machine hovers above us all and drops little nuggets constantly in an infinite number of ways. The trick is to tune your senses to pick up those nuggets. Just like the act of writing, the act of generating ideas takes practice and patience. You have to be willing to churn out some crap ideas before you find that golden nugget. And it is okay to churn out crap as long as you keep on churning!

    Still don’t know how to get an idea for your breakthrough novel? Then maybe that is the idea in of itself right there. Think on that for a second and see where it takes you. You never know what you will find in the most unlikely of places. The real point is that ideas come from everywhere and eventually, as long as you don’t quit, “your” idea will happen!

    Cheers!

  • ARE YOU READY FOR SOME DRABBLE?

    *cue ridiculous theme song music and fake patriotism*

    What?

    Time for more free micro-fiction, y’all! I’m not gonna shill much except to say thank you to everyone that has picked up Z-Burbia 5: The Bleeding Heartland! It’s charting right now which makes for a happy Jake on a happy Friday!

    Now, how’s about we get to the drabble!

    Enjoy!

    ***

    The Crowd Waited
    By
    Jake Bible

    The gladiators faced each other.

    “I don’t want to fight you,” one said.

    “I don’t want to fight you, either,” the other replied.

    “They’ll kill us if we don’t,” the first said.

    “One of us has to die anyway,” the second replied.

    “Well, I don’t want it to be me,” the first said.

    “I don’t want it to be me,” the second responded.

    The gladiators faced each other, neither of them making a move.

    “Sooooo…where are we with this?” the first asked.

    “Hell if I know,” the second shrugged. “We fight?”

    “Do we?” the first asked.

    The crowd waited.

    ***

    Cheers!

    Disclaimer: Foosball!

  • Really, I have nothing to say in this post, I just wanted to use the title “Hit or Myth”. Seriously, it was too good of a pun not to use. Is it a true pun, though? Or just a play on words? Or are they one and the same?

    Answer: I don’t care, I like it.

    Which brings me to the real meat of this post: the first draft.

    There are a lot of very good writing resources, and very good writers, that state the first draft of a novel sucks. It blows. It is nothing but pure, unadulterated, uncut, shite. And they aren’t wrong. This post is not here to disprove that notion. Although I haven’t read many writers’ first drafts, so I cannot so for certain whether or not they do suck the hairy nuts of a ripe and smelly yeti.

    But what I can say is mine don’t.

    Don’t get me wrong, my first drafts can party with the best of them; they know the beauty of some good sweaty yeti nut suckage (Don’t we all?). It’s just that my first drafts aren’t the type of drafts that need to be ripped apart and then pieced back together. At this point in my career and writing experience, my first drafts are about 85% to 95% solid (with the exception of commas. I am comma illiterate,).

    It’s that last little 5% to 15% that has the bees on their knees taking it from that sweaty yeti (I have no idea what that means, but it was fun to write!). Those bits and pieces of the first draft that don’t quite fit, that are out of context, that ruin the pacing, that are so factually incorrect that I have to wonder if someone didn’t sneak in and write those parts without my knowing. For me, those are the things I fix.

    I don’t go back in and rip out this chapter or rearrange that chapter. I don’t cut characters and switch others’ motivations. I don’t suddenly decide that the setting should be the surface of mars instead of the surface of the moon. I just don’t do that. The novel I write is the novel I intend to turn in to my publisher. Why would I spend all of that time writing only to toss out what I’ve written and start over? That’s crazy talk.

    Now, to be honest, there is that time thing. My 2014 schedule was writing a 75K word novel a month. Which is totally doable, by the way (I’ll save the details on that process for a different post). But a novel a month pace means I didn’t have the luxury of trashing my first version and starting over or Frankensteining the shit out of it until it’s a new creature. The novels were the novels and fixing the boo boos was my only solution.

    That kind of pressure, and constraint, means I’ve gotten pretty damn good at sorting out my thoughts as I write. Do I outline? Somewhat. But I always deviate from the outline eventually. The story goes where the story goes. Yet I never try to force the story in any particular direction. That’s why, when it’s all said and done, the draft I have is pretty much what’s getting published.

    But, what about my first novels? What about those novels that came before all my experience with cranking out pulpy goodness?

    Same process. I’ve always been this type of writer. Even with my very first novel, Dead Mech, the version that was podcast was the version that has been published. First draft. Now, I did a LOT of editing along the way with that one because it was a drabble novel. Each section was tightened as I went. So there is that. But my second novel, third, fourth, fifth novels, all had one draft that I fixed and tweaked slightly then turned in. Done!

    Would I go back and fix some stuff in those novels? Maybe. I’m sure I could. But why? I have great feedback on them and even if I did fix some things there will always be people that will find fault.

    And that’s the key! There will always be people that find fault!

    Trying to write the perfect novel is impossible. Impossible, I say! Why? Because reading is subjective. Once you are done and that puppy gets put out there then it’s up to the individual interpretations of the readers. And boy will they interpret! You could work for hours and hours, days and days, on a specific chapter, fine tuning it until it sings and there will still be folks that say, “Meh”.

    That’s the biz.

    And I guess that’s the main reason I don’t go back and rework everything: who’s to say the new version is better? I can’t. I’m too close to it. So I fix the typos (except the commas, because I just, can’t) look for continuity issues and then I’m done.

    Done. Wipe my hands of it and hit send to my publishers. Bam!

    What does this mean for you as a writer (if, in fact, you are a writer that is reading this)? It means your process is your process and if you feel good about your first draft then don’t mess with it. It’s okay to like it and think it isn’t a piece of shite. It also means it’s okay to hate it and shred it. Your process. Yours. No one else’s.

    Of course, this doesn’t mean you crank out a crap manuscript and then argue with the world when they say it’s crap. Keeping a first draft means the first draft has to actually be good. That’s the catch. Just because you wrote it doesn’t mean it’s readable. But with experience you learn what works and what doesn’t. I have more than a few incomplete manuscripts I’ve ditched because I knew I was wasting my time on something that wasn’t any good.

    Did any of this help? I hope so. At the very least I want to expand your concepts of what can and can’t be done when it comes to your writing process. Want a quick hint? Anything can be done. There is no can’t. There’s just quality. And readers are the final judge of that.

    So, that’s about it for this week. Next week I think I’ll dive into my actual step by step process of how I write a novel, from idea to submission.

    Cheers!

     

     

     

  • Howdy!

    It’s 2015, y’all, and Views From The Captain’s Chair is back!

    I have sort of made a resolution, although I hate to call it that since we all know how well resolutions fare (hint: they don’t). What’s my resolution? To keep up with writing a weekly blog and give a little insight into how I got where I am as a full-time writer and how I get through the process of day to day writing without losing my shit. It isn’t always easy.

    Now, what I won’t be doing in this blog is reacting. If there is a publishing issue out there, and we all know there always is, I’m going to ignore it and not weigh in on the subject. Why? Well, for one thing, there are way more qualified writers and publishing professionals out there that can give you insight into the many facets of [insert publishing kerfuffle du jour]. But, the main reason is because none of that crap is my problem, it’s all just a distraction from what I should be doing, which is writing.

    We live in such a divisive, and punitive, world that I don’t feel the need to add to it all. I’m just gonna be Jake and let y’all know about what I’m doing, why I’m doing it, and why you shouldn’t give two craps about me because your life is your life and your path is your path.

    See that? I just told you my blog posts really aren’t worth your time. Read them if you want some insight into my process, but always remember, if you are a writer reading this, that your process is your process. There is no one single path. There aren’t even just two paths. There are infinite paths. INFINITE! Find yours, fight to stay on it, and read my shit if you want some entertainment or company along the way.

    With all that said, I’m going to dive into what my 2015 is going to look like and why/how I got here (hint: not on a Segway). Ready? Away we go!

    Jake’s 2015:

    First, I have eight novels to write for Severed Press. Last year I was contracted to write a novel a month, with a couple months off in between. This was good because it gave me focus, gave me advances (income for the win!), and kept me disciplined. But, what I learned is my natural compulsion for punctuality was ripping my soul apart.

    Okay, that’s a bit hyperbolic, but it’s close. I’m a little on the spectrum when it comes to timing. I get to movies a half hour before they are supposed to start; I’m never late turning in library books; and I have to force myself to be fashionably late to parties. I have punctuality issues, I know this.

    When I found myself behind with novel deadlines in 2014 I came close to freaking out. I learned something in 2014 that I am now applying to 2015. What did I learn? I have focus and discipline, I don’t need the killer deadlines. I have never worked so hard at a job in my life, and if I fail then my family goes broke, so that is drive enough. The deadlines were more a distraction than anything.

    So, in 2015 I will not have any deadlines except for December 31st. I have to have eight novels turned in by then. I can do that without going cuckoo for cocoa puffs.

    What are these novels, you ask? Well, let me tell you! In list form!

    In Perpetuity– A military space thriller based on a short story I wrote a long time ago. There will be lots of blasters and star fighters and pew pew pews and aliens and space battles galore and all that cool shit. Yes!

    AntiBio 2– I’ll be wrapping this series up with this sequel. It hasn’t done as well as we’d liked. Oh, well.

    Z-Burbia 6: Rocky Mountain Die– Yeah, baby, that’s the title! This novel will wrap up the Stanford part of the Z-Burbia saga. This doesn’t mean I’m done with the series, but I may be taking it in a different direction. Maybe.

    Kaiju Inferno– The third book in my Kaiju Winter series. Shit gonna get crazy!

    Mega 4Team Grendel will be back and the adventures will be AWESOME!

    Dead Team Alpha 2– Gonna wrap this series up as well. Like AntiBio, it never took off. No worries.

    Kaiju Fall– The finale to the Kaiju Winter series.

    Eighth Book To Be Named- Could be another Mega or more military space goodness. We’ll see. Huzzah for flexibility!

    What else?

    I’m also working with a good friend of mine from back in the high school days, Joel Barber, on a comic book series. It’s post-apocalyptic, but not dystopian. First script is done and we’re going to be pitching it to a specific comic book publisher. We may have a good shot at getting this. Fingers crossed.

    I may get back into narration and tackle my Kaiju series as well as DTA. I should (hahahahaha!) have the time to do some recording/producing. That’d be cool. When will that happen? As soon as I get a new Mac. I can’t trust my current Macbook to handle the stress and there’s no way I’m recording for six hours just to have it all get dumped because my ancient Mac shits the bed. Not happening.

    Possibly working on the script for MALK: The Movie. This is a continuation of the short film I made with Team Long Shot for the 48 Hour Film Project. Hoping to get enough interest and funding to make a feature film. More fingers crossed!

    I also have two new novel series I want to get working on. One could be an extension of the Z-Burbia universe and the other is brand new, but totally awesome. What are they? Ha! Wouldn’t you like to know! I’m a brutal tease! Muwahahahahaha!

    And, as always, I’m sure I’ll get myself overbooked on other stuffs. It’s inevitable.

    In addition to all this work, I may take a very long vacation with the Fam over the summer. A cross country road trip out West. The plus of a long trip like that is I can write in the car while we drive. The minus of a long trip like that is I can write in the car while we drive. Oh, the dichotomy of life!

    Oh, wait, there’s more! In addition to the Severed Press novels coming out, I also have two series from Permuted Press being released (I think).

    The first is ScareScapes, which is a middle grade horror/scifi adventure series. Think Goosebumps in deep space meets the Scooby-Gang. I know there are plenty of kids ages 8-12 that want some good horror/scifi fun, and plenty of parents that are trying to find that fun for them, so this series is made just for them. It’s gonna be great! Be on the lookout for these this summer, I believe.

    The second is my Reign of Four series, which I have loosely based on the reigns of Edward I, Edward II, Edward III, and the Black Prince of England. This series is full on medieval space fiction. Everything is stripped down tech wise and it centers more on the drama of life than on the action of space. Don’t worry, though, there will be blood! And guts! And sex! It’s Game of Thrones in space, yo! Hopefully these will start coming out before the holiday season. Hopefully.

    Is that all? Dear God, I hope so. I think that’s enough for one year.

    I hope (I’ve got a lot of hope) this info gives y’all a little insight into my writing career. It’s not all sitting on the couch watching American Horror Story while eating Doritos. Sure, that’s a big part of my process, but not all of it.

    Happy 2015, y’all!

    Cheers!

  • Happy 2015, y’all!

    The Party is back and there be some micro-fiction in your future!

    Know what else is in your future? A $.99 copy of Kaiju Winter! Yep, it’s on sale for the next couple of days at Amazon. Just click the pick and you are good to go! $.99 for giant monsters crawling out of the Yellowstone super volcano to destroy the world! Hells to the yes!

    Kaiju_Winter_ebook_cover

    Now, on to the drabble!

    Enjoy!

    ***

    A Simple Job
    By
    Jake Bible

    Manozzi looked at the gun in his hand then down at the bleeding body on the ground. It was supposed to be a simple job. A huge payout. A way to get out of the life.

    “Just step into the closet,” the egghead had said. “Count to fifty, step out, and kill the first man you see. Don’t hesitate. Just do it. Then step back in the closet, count to fifty, and you’ll be back.”

    Manozzi thought it was insane. He doubted every word. But he did as he was told.

    And now he was dying at his own feet.

    ***

    Cheers!

    Kaiju Winter!

    Disclaimer: You can’t ever leave the life.